One Film A Day: Café Lumière

As a film student and an admirer of cinema, my education about the cinematic arts whether its theory or practical means a great deal to me. Yesterday I had my last ever film class with a lecturer who has introduced me to multiple new films and cinematic horizons. More than I ever dreamed. It's not often someone is able to talk to me about a film that I haven't watched and in this class I had that experience repeatedly. As he walked out the door, his parting words were "Watch one film a day." or something to that effect. A practice which he himself has admitted to pursuing.

In light of that, I will be documenting 1 film I watch every day for 30 days. If I go beyond that, then so be it. So here goes.

DAY 1 - 31/10/2023

Today I watched Café Lumière (2003) by acclaimed Taiwanese director, Hou Hsiao-Hsien. A film that was recommended to me by my film lecturer when he taught us about the works of the great Yasujiro Ozu.

The relationship this film has with Ozu's style is so apparent for a novice like me to interpret it so clearly, it was truly a love letter to the works and style of Yasujiro Ozu. There is a saying "Imitation is the best form of flattery" and it really holds true. I myself would like to make a film like this.

Set in the bustling streets of Tokyo, Café Lumière (2003) chronicles the life of Yoko, a young writer, as she navigates the complexities of modernity and motherhood. Through Ozu-inspired lenses, the film unravels poignant moments, inviting us to contemplate the beauty in the ordinary.

The performances in Café Lumière (2003) are nothing short of exceptional. Yo Hitoto as Yoko delivers a nuanced portrayal, capturing the character's complexity with grace and authenticity. Tadanobu Asano, in the role of Yoko's good friend Hajime, provides a subtle and soulful counterbalance to Yoko's introspection in the film. The film also serves as a crossroads of cultures, offering a reflective look at the contemporary Japan-Taiwan dynamic. It navigates the complexities of identity and belonging in a globalized world, adding an extra layer of depth to the narrative.

Café Lumière (2003) is a cinematic meditation, a quiet masterpiece that invites the audience to reflect on the beauty that surrounds us. It's a film that lingers, gently imprinting its images and emotions on the viewer's soul. While it may not be for those seeking fast-paced action or high drama, for those who appreciate the art of subtle storytelling, Café Lumière (2003) is an absolute treasure.

My Rating: 9/10

Thank you all for reading and I'll see you on Day 2!